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A CATALOGUE OF WORKS BY COMPOSER JUAN LÉMANN CAZABON




JUAN LÉMANN'S WORKS
Grouped according to their Genre and Instrumentation

 

Symphonic Music:


“El Cuerpo y la Sangre” (Body and Blood), Incidental music for the homonymous feature-length film by Rafael Sanchez, (1961)
“Leyenda del Mar” (Leyend of the Sea), (1977-78)
“Obertura de Concierto”(Concert Overture), (1986)
“Fantasía Concertante para piano y orquesta” (Fantasía Concertante for  piano and orchestra), (1987)
“Himno de la Universidad Nacional Andres Bello” (Anthem of Andres Bello National University). Lyrics by Mario Barros van Buren, (1997)

 

Stage music:


“Pierrot”, for piano. Incidental music for Alejandro Jodorowsky’s mime play, (1951)
“La Vaca Cornelia” (Cornelia the Cow), Ballet, Music on the ‘Variations on The Dairy Cow’, Piano. (1970)
“Leyenda del Mar” (Leyend of the Sea), Symphonic music for a ballet in 3 acts, (1979)
"El Tony Chico" (The little clown), Music for the homonymous play by Luis Alberto Heiremans. For guitar, banjo, piano, voice and sound effects, (1964)
"Topografía de un desnudo" (Topography of a nude), Music for the homonymous play by Jorge Díaz. For clarinet, piano, double-bass, percussion, (1968)

 

Instrumental ensemble:


“Vals” (Waltz), for accordion and piano, (50’s)
“Cuarteto para tres flautas y clavecín” (Quartet for Piccolo, two Flutes and Harpsichord) (1962)
“Pieza para duo, violín y violoncello” (Piece for a duo, for violin and violoncello) (1962)
“El Tony Chico” (The little clown), Music for the homonymous play by Luis Alberto Heiremans. For guitar, banjo, piano, voice and sound effects, (1964)
“Topografía de un desnudo” (Topography of a nude), Music for the homonymous play by Jorge Díaz. For clarinet, piano, double-bass, percussion, (1968)
“Central Hidroeléctrica El Toro 2ª.parte” (El Toro Hydroelectric power station  2nd part), for clarinet, violin, violoncello, percussion, (1970)
“Variación sobre el Himno de la Universidad de Chile” (Variations on the Anthem of the University of Chile), for trumpet, percussion and piano, (1992)
“Akustica”, for recorder, viola da gamba, piano, (1992)

 

Choir:


“Ojitos de pena” (Sad eyes), Lyrics byMax Jara. For mixed choir and women’s choir, (1958)
“Aleluya” (Hallelujah), for Mixed choir, (1958);
“Aleluya” (Hallelujah), for Women’s choir, (1968);
“Cuatro obras corales para voces blancas” (Four choral Works for children voices): (“Hay estrellas sol y luna, 2.Pastores fueron cantando, Remberto Latorre, 3. A la madrugada, 4.Salga el sol), (1979)
"Himno de la Academia Diplomatica de Chile" (Anthem of the Chilean Diplomatic Academy), for voices and piano (1983). Lyrics by Mario Barros van Buren.
“Cuatro villancicos para voces blancas” (Four Christmas Carols), (1. Hay estrellas sol y luna, 2.Pastores fueron cantando, Remberto Latorre, 3. A la madrugada, 4.Salga el sol), (1985)
“Mirada retrospectiva” (Retrospect). Lyrics by Guillermo Blest Gana. Mixed choir, piano, (1992)
“Himno de la Universidad Nacional Andrés Bello” (Anthem of Andres Bello National University).Lyrics by Mario Barros van Buren, (1997)

 

Voice and accompaniment:


“Maestranzas de noche”(Rail yards at night), Lyrics by Pablo Neruda. For contralto, clarinet, violin, cello and piano.  (1987)
“Puentes” (Bridges), Lyrics y Pablo Neruda. For contralto, clarinet, violin, cello and piano, (1987)
“Barrio sin luz” (Unlit District), Lyrics by Pablo Neruda.  For soprano and piano, (1992)

 

Solo instruments:


“Sonata para arpa” (Sonata for Harp), (1960)
“Sonata for solo violín”, (1961)
“Eólica” (Aeolian) for solo violoncello, (1990)
“Rapsodia” (Rhapsody) for guitar, (1995).

 

Piano:


“Marcha nupcial” (Wedding March), for organ or piano, (1949)
“Variaciones sobre ‘La vaca lechera’" (Variations on ‘The dairy cow’), (1949-50)
“Tonadilla” (Tune), (1951)
“Pierrot”, for the mime play by Alejadro Jodorowsky, (1951)
“Pequeña Suite” (Minor Suite):  1. Alemanda, 2. Courante, 3. Zarabanda, 4. Aria, (1953)
“Tres invenciones cromáticas a dos voces para piano” (Three chromatic inventions for two voices for piano), (1954)
“Danza de la brujita” (The Little Witch Dance), for children
“Homenaje a Leng” (Tribute to Leng), (1952)
“Cinco piezas para niños” Five Pieces for Children):  1.Contrapunto, 2. El pequeño violinista, 3.El soldadito, 4.Tonada, 5.Pequeño Estudio) (El pianista chileno I y II),  (1962)
“Variaciones para piano" (Variations for Piano), (1962)
"Burlesca para piano” (Burlesque for Piano), (El pianista chileno, II), (1963)
“Compro y vendo” (Buy and Sell) . Improvised music on piano for a short film by Rafael Sánchez, (1963)
“Tensiones para piano” (Tensions for Piano), (1969)
“Tres variables para piano” (Three Variables for Piano), (1977-78)
“Cuatro minipiezas para piano” (Four Small Pieces for Piano), (1.La tortuga aburrida, 2. El relojito, 3. Campanitas, 4. Ronda provenzal), (1989)
“Al estilo del siglo XIX” (In 19th Century Style), Habanera, Polka y Tonada, (1996)
“Resonancias” para piano” (Resonance for piano), (1997).

 

Religious music:


“Misa Veni Domine”, for unison chorus and organ, (1964)
“Tantum Ergo” (Hymn to the Holy Sacrament),  for unison chorus and organ, (1964)
“Aleluya” (Hallelujah), for mixed choir, (1958)
“Aleluya” (Hallelujah), for female choir, (1969)

 

Incidental music:


For mime play: “Pierrot”, by Alejadro Jodorowsky, for piano, (1951)
For film: “El Cuerpo y la Sangre” (Body and Blood), by Rafael Sanchez. For orchestra, (1961)
For short film: “Compro y vendo” (Buy and Sell), by Rafael Sánchez. For piano, (1963)
For theater: “El Tony Chico”(The little clown), by Luis Alberto Heiremans. For guitar, banjo, piano, voice and sound effects, (1964) ; “Topografía de un desnudo” (Topography of a Nude), by Jorge Diaz, (1968)
For documentary film: “Central Hidroeléctrica El Toro, 2ª. Parte” (El Toro Hydroelectric Power Station, Part 2), (1970)

 

Didactic piano works:


“Variaciones sobre el tema La vaca lechera” (Variations on the theme The Dairy Cow), (1949-50)
“Danza de la brujita” (The Little Witch Dance), for children
“Homenaje a Leng” (Tribute to Leng), (1952)
“Cinco piezas para niños” (Five pieces for children), (1.Contrapunto, 2. El pequeño violinista, 3.El soldadito, 4.Tonada, 5.Pequeño Estudio) (1962)
“Burlesca” para piano (Burlesque for piano), (1963)
“Ejercicios interválicos para la iniciación a la lectura musical” (Intervallic exercises for introduction to music reading), (1965)
“Cuatro mini piezas para piano” (Four small pieces for piano), (1.La tortuga aburrida, 2. El relojito, 3. Campanitas, 4. Ronda provenzal) (1989);
“Resonancia” para piano (“Resonance” for piano), (1997).

 

Humorous music:


“Variaciones sobre el tema ‘La vaca lechera” for piano (Variations on the theme The Dairy Cow), (1949-50);
“Ludus vocalis” and “Ludus piano” (1980)

Recordings of improvised music

 

Electronic music:


"Teorema" (Theorem), (1968)
"Improvisaciones diversas" (Untitled recorded improvisations), (1968)
.

 

NOTE: The Autographs and holographs of his works, as well as microfilm copies of his music professionals, are in the Music Archive of the National Library of Chile, Santiago. These copies are professionals in the Music Archive of the Music Department of the Faculty of Arts at the University of Chile. The vast majority of his works are recorded on CD and some of them they were earlier in vinyl discs 33 1 / 3 rpm ​​and cassette. These and other recordings are also found in the National Library and the Faculty of Arts at the University of Chile.

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